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Johnathan
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« Reply #25 on: January 30, 2011, 10:19:03 AM »



http://en.wikipedia.org/wiki/Talking_Heads

alking Heads was an American rock band formed in 1974 in New York City[1] and active until 1991. The band comprised David Byrne, Chris Frantz, Tina Weymouth and Jerry Harrison. Auxiliary musicians also frequently made appearances in concert and on the group's albums.

The New Wave musical style of Talking Heads combined elements of punk rock, avant-garde, pop, funk, world music and art rock. Frontman and songwriter David Byrne contributed whimsical, esoteric lyrics to the band's songs, and emphasized their showmanship through various multimedia projects and performances. Critic Stephen Thomas Erlewine describes Talking Heads as being "one of the most critically acclaimed bands of the '80s, while managing to earn several pop hits."[2]

In 2002, the band was inducted into the Rock and Roll Hall of Fame. Four of the band's albums appeared on Rolling Stone magazine's 2003 list of the 500 Greatest Albums of All Time, and the Channel 4 100 Greatest Albums poll listed one album (Fear of Music) at number seventy-six.


<a href="http://www.youtube.com/v/xNnAvTTaJjM&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/xNnAvTTaJjM&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/l5zFsy9VIdM&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/l5zFsy9VIdM&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/I1wg1DNHbNU&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/I1wg1DNHbNU&amp;ap=%2526fmt%3D18&amp;rel=0</a>


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Johnathan
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« Reply #26 on: February 01, 2011, 05:36:13 AM »



.http://en.wikipedia.org/wiki/Tears_For_Fears

Tears for Fears are an English pop rock band formed in the early 1980s by Roland Orzabal and Curt Smith.
Founded after the dissolution of their first band, the mod-influenced Graduate, they were initially associated with the New Wave synthesizer bands of the early 1980s but later branched out into mainstream rock and pop, which led to international chart success.
Their platinum-selling debut album, The Hurting, reached number one on the UK Album Chart, while their second album, Songs from the Big Chair, reached number one on the U.S. Billboard 200, achieving multi-platinum status in both the UK and the United States.[1] Following the release of their third platinum-selling album, The Seeds of Love (1989), Smith and Orzabal parted company, though Orzabal retained the Tears for Fears name throughout the 1990s. The duo reformed in 2000, and released an album of new material in 2004. To date, Tears for Fears have sold over 22 million albums worldwide, including more than 8 million in the U.S.[2]

<a href="http://www.youtube.com/v/6Ni_c0IMP-c&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/6Ni_c0IMP-c&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/g7-EaF9628M&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/g7-EaF9628M&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/-sZzCyJVb4o&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/-sZzCyJVb4o&amp;ap=%2526fmt%3D18&amp;rel=0</a>


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KenSanders
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« Reply #27 on: February 03, 2011, 03:31:06 AM »

<a href="http://www.youtube.com/v/ujByPDusUqU&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/ujByPDusUqU&amp;ap=%2526fmt%3D18&amp;rel=0</a>


Here's some interesting licks from Todd Sucherman
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Ken Sanders
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Johnathan
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« Reply #28 on: February 03, 2011, 06:26:09 AM »

Very Nice Ken!  Loved your post.



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Johnathan
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« Reply #29 on: February 03, 2011, 06:27:23 AM »

<a href="http://www.youtube.com/v/JOR0hUIGb4Y&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/JOR0hUIGb4Y&amp;ap=%2526fmt%3D18&amp;rel=0</a>
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« Reply #30 on: February 06, 2011, 07:07:28 AM »



http://en.wikipedia.org/wiki/Robert_Conti

Robert Conti (born November 21, 1945) is an American hard bop jazz guitarist.
Conti was born in Philadelphia, Pennsylvania and was an autodidact, first performing locally at age fourteen. In 1966, after four years on the road touring North America, he settled in Jacksonville, Florida. In 1970 he left music to pursue a career in the securities industry. In 1976 he began playing jazz again. In 1979, he was signed to LA based Discovery Records label. Conti released Latin Love Affair and a Direct To Disc recording titled Solo Guitar as his debut efforts as a leader in 1979. In 1982 he left music again for the business world. In 1985 he managed to released another album, and in 1986 he headlined the Florida National Jazz Festival, with Jimmy McGriff and Nick Brignola as his sidemen. In mid 1988 he was offered a position under filmmaker Dino De Laurentiis in Beverly Hills, California. After a lengthy recovery from a back injury in late '88, he was offered a position as resident jazz guitarist at the Irvine Marriott. He held that gig until mid 1998. Many of his most recent endeavors have been didactic in nature; since starting his website in 2000, he has released 27 educational DVDs on jazz guitar, including pro chord melody and improvisation using his trademark No Modes No Scales® approach to teaching jazz guitar. On March 7, 2009, Robert Conti was a guest of the Las Vegas Guitar Club where he conducted a master class/clinic to a standing room only crowd at Sam Ash Music Store.

<a href="http://www.youtube.com/v/XIdQGN45tOU&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/XIdQGN45tOU&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/cH09csE6Kss&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/cH09csE6Kss&amp;ap=%2526fmt%3D18&amp;rel=0</a>


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Johnathan
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« Reply #31 on: February 06, 2011, 10:26:50 PM »



http://www.last.fm/music/Coven

The best-known band named Coven is a psychedelic occult rock band, composed of vocalist Jinx Dawson, bassist Oz Osborne (not to be confused with Ozzy Osbourne of Black Sabbath) and drummer Steve Ross. They had a top 10 hit on Warner Brothers Records with a cover of Original Caste’s “One Tin Soldier”, which was used as the theme song to the 1971 movie Billy Jack.

Jinx Dawson , Ross, and Osborne formed Coven in Chicago in the late 1960s. They were signed to Mercury Records, where they put out their first album, Witchcraft Destroys Minds and Reaps Souls in 1969. The music on the album was, for the most part, standard pop psychedelia; what made it distinctive was the heavy emphasis on diabolical subject matter, including songs such as “The White Witch of Rose Hall”, “For Unlawful Carnal Knowledge”, and “Dignitaries of Hell”. The album concluded with a 13 minute track of chanting and Satanic prayers called “Satanic Mass”.

Unwanted publicity came to the band in the form of a sensational Esquire magazine article entitled “Evil Lurks in California,” which linked counterculture interest in the occult to Charles Manson and the Tate-La Bianca murders. As a result, Mercury withdrew the album from circulation.

<a href="http://www.youtube.com/v/FDu6HYWdxkQ&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/FDu6HYWdxkQ&amp;ap=%2526fmt%3D18&amp;rel=0</a>


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Johnathan
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« Reply #32 on: February 16, 2011, 05:53:39 AM »

Never heard of these guys until they were posted on my site.

I am glad you liked it Fiona, I hope your members are enjoying as well.

]http://ecx.images-amazon.com/images/I/61WwitDMjKL._SL290_.jpg[/img]

http://en.wikipedia.org/wiki/Electric_Six
Electric Six is a six-piece metro Detroit-based band that plays what has been described as a brand of rock music infused with elements of "garage, disco, punk, new wave, and metal."[1] The band met recognition in 2003 with the singles "Danger! High Voltage" and "Gay Bar", and subsequently recorded seven full-length albums: Fire, Señor Smoke, Switzerland, I Shall Exterminate Everything Around Me That Restricts Me from Being the Master, Flashy, KILL and Zodiac. They have also released a rarities album, Sexy Trash.

Electric Six incorporates a variety of styles, resulting in being termed a "genre-blurring" band.[36] The group's sound has been described as a synthesis of "disco, synth pop, glam, and arena rock,"[37] including the falsetto vocals of disco, laden with "rampant solos, be they guitar riffs, synth wails, or strutting drums" that enforce the band's "energetic sound."[38] However, the band members themselves have rejected such genre classifications as "disco-metal" and "disco-punk."[39][clarification needed]

Critics have termed their lyrics as "disaffected, angry, ironic and lustful,"[40] expressing "macho flippancy" and "tongue-in-cheek pomposity."[41] Dick Valentine has estimated that "90 percent of our songs, maybe even higher than 90 percent" are "about absolutely nothing."[32] Songs by Electric Six are often concerned with subjects such as human sexual behavior, masculinity, dancing, hypersexuality, fast food and fire (The band's official biography states that their debut album Fire was so named because they "noticed an abundance of the word fire on this record and...decided to go with it."

<a href="http://www.youtube.com/v/HD5tnb2RBYg&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/HD5tnb2RBYg&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/HTN6Du3MCgI&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/HTN6Du3MCgI&amp;ap=%2526fmt%3D18&amp;rel=0</a>


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KenSanders
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« Reply #33 on: February 17, 2011, 10:58:54 PM »

I was familiar with the "Electric Six" already.  I personally consider them slightly amusing from an "I can't believe this stuff" standpoint.  That seems to be their niche or target listening audience.

Musically, I find them uninspiring and from a drum standpoint.......basically mediocre to mundane.  In my opinion, there are many other acts more worthy of a listen.

In fairness to the "Electric Six", I don't believe they intend their music to worthy of acclaim from musicians, but rather to lovers of wacky videos.  I would say they spend far more time working out the video scripts than they do writing their songs.

 
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Ken Sanders
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« Reply #34 on: February 18, 2011, 06:29:41 AM »

Ken I agree with you, here is another group one could say the same.

My these guys are a hoot!!



http://www.myspace.com/swashbuckle

AHOY MATEYS! Forged upon the seven seas, we Swashbuckle hath come to take the metal community by storm. We've faced rumrunners of the Caribbean to bring you the most brutal in YAR face metal upon the Spanish Main. If ye be double crossin' us, we'll make ye walk the plank ye scurvy dogs! Yarrr! Swab the poop deck, and set sail for the Pirate Metal experience of your lifetime ye hornswogglers! Cheers!

Readers beware, there be many horrors of the high seas, but none so wretched as SWASHBUCKLE. Their tale began in the early year of 2005, as Commodore RedRum and Admiral Nobeard ventured off on a quest to pillage and plunder the All-You-Can-Eat Shrimp line at a Red Lobster along the coast of New Jersey, USA. Realizing their mutual love for all things piratical, thrash metal, and surf-n-turf, they commandeered a vessel and set sail to start what would be renowned as one of the fastest, heaviest and most outrageous metal bands to sail the seven seas. Thus, SWASHBUCKLE was born.

After completion of their first demo, they scoured the world for a seaworthy crew as vile as themselves. Venturing towards a group of uncharted islands, Captain Crashride was found drunk and marooned wielding a newly whittled set of drumsticks. Other than his desires for wenches and rum, Nobeard and RedRum found he was a bitchin' skin basher and could thrash alongside them in their quest for glory and high seas hi-jinks! With the forces of the pirates three combined, they raided, pillaged and plundered their local metal scene with tales of traitors, boozing, wenches, and thrashing lore.

Late 2005 saw the release of the "Yo-Ho Demo" which featured a more musically developed direction by the pirates. After extensive raiding and looting of the local scene, SWASHBUCKLE focused their blackened hearts on crafting a full-length metal masterpiece of unparalleled nautical proportions.

2006 saw the release of their debut album, "Crewed by the Damned" - well received by fans and critics alike. After numerous weekends and local shows, SWASHBUCKLE embarked on their first US tour in August of 2007, where they plundered and pilfered the East Coast and Midwest of the states like the band of bastards they set out to be.

The winds that filled the pirate's vicious sails carried word of the mighty thrashers to the ears of Rock the Nation management and into the capable hands of Kataklysm's frontman Maurizio Iacono and subsequently, Nuclear Blast Records who extended an accord to the humble pirates.

Inked in their own blood, Admiral Nobeard, Commodore RedRum, and Captain Crashride declared no quarter and no mercy unto the unsuspecting metal community that awaited their dastardly deeds and malicious moshing mayhem!

2009 saw the release of their sophomore album and debut on Nuclear Blast Records entitled "Back to the Noose". The album was a vicious aural assailment of speedy riffs, anthemic drinking jigs, and timeless panty-droppin’ shanties: An overall thrashterpiece.

In early 2010 the pirates dropped Captain Crashride back off on his lonely island and employed the steady hand of the witty and adept Bootsmann Collins. With the capable Collins on board the band penned and recorded their third studio album entitled "Crime Always Pays".

Be warned, the pirates three be an unstoppable force to be reckoned with and shall continue their sonic assault upon all who appose. When in the faces of death and the need for piratical thrash, look to the coast and witness the black sails on the horizon as SWASHBUCKLE pillages your village.

YARRRRRRRR!!!!!

<a href="http://www.youtube.com/v/UCJIJT9AIMU&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/UCJIJT9AIMU&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/w0T2dPyCEHc&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/w0T2dPyCEHc&amp;ap=%2526fmt%3D18&amp;rel=0</a>



Stop on by Here

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« Reply #35 on: February 28, 2011, 06:07:11 AM »



Joan Jett (born Joan Marie Larkin; September 22, 1958) is an American rock guitarist, singer, songwriter, producer and actress.

She is best known for her work with Joan Jett & the Blackhearts including their hit cover "I Love Rock 'n' Roll", which was #1 on the Billboard Hot 100 from March 20 to May 1, 1982,[1] as well as for their other popular recordings including "Crimson and Clover," "I Hate Myself for Loving You," "Do You Want to Touch Me," "Light of Day," "Love Is All Around," "Bad Reputation," and "Little Liar."

Her musical and songwriting approach is heavily influenced by the hard-edged, hard beat-driven rhythms common to many rock bands of her native Philadelphia, often featuring lyrics surrounding themes of lost love, criticisms of insincerity, the quest for authenticity, the struggles and resolutions of the American middle class. She has 3 albums that have been certified Platinum or Gold, and she has been referred to as the "Queen of Rock 'n' Roll" many times during her career.[2] In Venus Zine's 2010 "Queen of Rock" feature, Jett won the Readers' Pick in an online poll ahead of Stevie Nicks and Ann Wilson.

Jett is a founding member of The Runaways along with drummer Sandy West. Micki Steele (who was later replaced), Jackie Fox, Lita Ford, and Cherie Currie completed the line-up. While Currie initially fronted the band, Jett shared some lead vocals, played rhythm guitar and wrote or co-wrote a lot of the band's material along with Ford, West and Currie. The band recorded five LPs, with Live In Japan becoming one of the biggest-selling imports in U.S. and U.K. history. The band toured around the world and some of their opening acts included Cheap Trick, Van Halen and Tom Petty and the Heartbreakers. They found success abroad, especially in Japan.[1][6]

While The Runaways were popular in Europe, Asia, Australia, Canada and South America, they could not garner the same level of success in the U.S.[1][7] After Currie and Fox left the band (to be replaced by bassist Vicki Blue and later, Laurie McAllister), the band released two more albums: Waitin' for the Night and And Now... The Runaways. Altogether they produced five albums from 1975 until they disbanded in spring of 1979.[8]

Soon after, Jett produced The Germs' first and only album

With Laguna's assistance, Jett formed the Blackhearts. She placed an ad in the L.A. Weekly "looking for three good men." John Doe of X sat in on bass for the auditions held at S.I.R. studios in Los Angeles. He mentioned a local bass player, Gary Ryan, who had recently been crashing on his couch. Ryan was part of the L.A. punk scene and had played bass with local artists Top Jimmy and Rik L. Rik. He had been a fan of the Runaways and Jett for years. Jett recognized him at the audition and he was in. Ryan in turn recommended guitarist Eric Ambel, who was also at the time part of Rik L. Rik. The final addition to the original Blackhearts was drummer Danny "Furious" O'Brien, formerly of the infamous San Francisco band The Avengers. This line-up played several gigs at the Golden Bear and Whisky a Go Go in Hollywood before embarking on their first European tour which consisted of an extensive tour of the Netherlands, and a few key shows in England including the Marquee in London.

Upon returning to the States, Jett, Ryan, and Ambel moved to Long Beach, New York. O'Brien stayed behind in England to pursue other interests. Auditions were set up and Lee Crystal, formerly of The Boyfriends and Sylvain Sylvain, became the new drummer. Joan Jett and the Blackhearts then toured throughout the US and built quite a following in New York. Jett and Laguna soon used their personal savings to press up copies of the Joan Jett album and set up their own system of independent distribution, sometimes selling the albums out of the trunk of Laguna's Cadillac at the end of each concert. Laguna was unable to keep up with demand for her album. Eventually, old friend and founder of Casablanca Records, Neil Bogart, made a joint venture with Laguna and signed Jett to his new label, Boardwalk Records and re-released the Joan Jett album as Bad Reputation. After a year of touring and recording, The Blackhearts recorded a new album entitled I Love Rock 'n Roll for the label. Ambel was replaced by local guitarist Ricky Byrd during the recording.

With Byrd on guitar, Joan Jett and the Blackhearts recorded their hit album. The new single was a re-recording of the title track, "I Love Rock 'n Roll," which in the first half of 1982 was number one on the Billboard Hot 100 for seven weeks in a row. It is Billboard’s #28 song of all time.

http://en.wikipedia.org/wiki/Joan_Jett

<a href="http://www.youtube.com/v/hdhonK8NMm8&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/hdhonK8NMm8&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/u0ZicY7Oqmg&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/u0ZicY7Oqmg&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/HPkTGm4RtVM&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/HPkTGm4RtVM&amp;ap=%2526fmt%3D18&amp;rel=0</a>


What Say You: Click Here

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« Reply #36 on: March 14, 2011, 08:38:39 AM »

http://en.wikipedia.org/wiki/Joe_Morello

Joseph A. Morello (17 July 1928 – 12 March 2011)[1][2] was a jazz drummer best known for his 12½-year stint with The Dave Brubeck Quartet. He was frequently noted for playing in the unusual time signatures employed by that group in such pieces as "Take Five" and "Blue Rondo à la Turk". Popular for its work on college campuses during the 1950s, Mr. Brubeck’s group reached new heights with Mr. Morello. In June 1959, Mr. Morello participated in a recording session with the quartet — completed by the alto saxophonist Paul Desmond and the bassist Eugene Wright — that yielded “Kathy’s Waltz” and “Three to Get Ready,” both of which intermingled 3/4 and 4/4 time signatures.

<a href="http://www.youtube.com/v/5jZIB9UeGDc&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/5jZIB9UeGDc&amp;ap=%2526fmt%3D18&amp;rel=0</a>


<a href="http://www.youtube.com/v/tsKq3HD0EFc&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/tsKq3HD0EFc&amp;ap=%2526fmt%3D18&amp;rel=0</a>


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« Reply #37 on: April 05, 2011, 07:50:04 PM »

Here's something I thought was worth sharing on the forum.
<a href="http://www.youtube.com/v/E3Vb0BipgrM&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/E3Vb0BipgrM&amp;ap=%2526fmt%3D18&amp;rel=0</a>



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Ken Sanders
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« Reply #38 on: April 23, 2011, 10:39:50 AM »

I'm sharing some really good ideas and comcepts from Jim Riley (Rascal Flatts) and hope you all can see the value in using some of our rudiments at the drum kit.


<a href="http://www.youtube.com/v/yK0pc6SecPw&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/yK0pc6SecPw&amp;ap=%2526fmt%3D18&amp;rel=0</a>



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Ken Sanders
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« Reply #39 on: May 08, 2011, 09:32:25 PM »

Here's some funky jazz stylings from Mike Clark.  Note the very open bass drum drum sound and how it doesn't take away from the distinction of the B3 bass pedals.  Enjoy.

<a href="http://www.youtube.com/v/xglvBageLfk&amp;ap=%2526fmt%3D18&amp;rel=0" target="_blank">http://www.youtube.com/v/xglvBageLfk&amp;ap=%2526fmt%3D18&amp;rel=0</a>
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« Reply #40 on: May 09, 2011, 09:01:36 PM »

Nice share Ken, very well done!
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