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Paco Séry


About two years ago, Mark Craney and I had a religious experience watching Paco Sery play with The Joe Zawinul Syndicate. I had heard of Paco, but I'd never seen hirn play. I was completeiy, utterly floored. Seeing the Syndicate gave me renewed faith in the future of instrumental jazz. Paco and Richard Bona formed the best rhythm section I'd seen in many years. Paco's feel was incredibly deep - and yet so light at the same time. He has amazing technical facil- ity, but not once did he ever play a gratuitous note or resort to smarty pants drum playing. He also tool< a kalimba solo that night that McCoy Tyner woulve been proud to play. Zawinul introduced him as a genius vv,'io just happens to play drums. I cou dn't have said it better.

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