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Grant Smith

Grant Smith is involved in many world music, jazz, classical, and dance projects in Boston and New York. His theatre credits include the American Repertory's "The King Stag", and "Shlemiel The First", as well as Joel Grey's "Borscht Capades". Heis also a contributor to Trish Cibree's "Lounge Life". Mr. Smith has toured globally from Crakow to Thailand and New Zealand. He has performed with Itzhak Perlman, Yo-Yo Ma, Don Byron, the Violent Femmes, Garrison Keillor,Jane Wang and the Green Bay Packers,among others. A member of the Klezmer Conservatory Band, and Klezperanto, Grant has performed on many stages from Radio City, Wolf Trap, and Tanglewood, to the Hollywood Bowl, MU in Budapest, and the Concertgebouw in Amsterdam.
Grant Smith studied drumset with Alan Dawson, Arabic drums with Jamie Haddad, tabla with Kazi Jalal, Afro-Cuban percussion with Enrique Pla, and Handance with Glen Velez. The Boston Globe calls him a "brilliant improviser." The Boston Phoenix has noted his topflight "cross-genre " abilities. Others note his sunny disposition. Grant has toured extensively, including Thailand, Australia, and both Europes. He is also a part of many world music, jazz, classical, orthodox, deconstructed, and free projects. Theatre and dance credits include the American Repertory Theater's production of "The King Stag," featuring a solo multi-percussion score (with staging and costumes by Julie Taymor) and movement works with Shakti Smith, Jane Wang, and Liz Roncka as well as his own choreography known as hogginsho, featured at PASIC 2003 Focus Day.
Despite such high profile gigs as tympani with Itzhak Perlman, borscht drums with Joel Grey, and tabla with the Violent Femmes, Grant still insists that his biggest gig was the Macy's Thanksgiving Day Parade with Kermit the Frog and Big Bird. Fave color: green. Fave food:.Jane's.cookies.
Vegetarian

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