"At the tender age of eleven I persuaded my parents to let me buy a drum, I'd spotted it in a neighbours catalogue, it was called a Kat-Kit, a 14"x3" snare with calf heads and a 10" cymbal on an arm attached to the stand, still no bass drum , still stamping on the floor,but I did manage to join a band " Johnny Blue & The Blue Boys" they were called".
School days :- "sometimes ended up going round to a friends house( Bryan Luke) to play on his old antiquated kit, he did have a bass drum though, and I did learn a lot, playing along to Bobby Elliot and the Hollies.
" At the age of about fourteen I joined a group called "The Tyme" There was this Bell Music catalogue being passed around, I used to dream about owning a full drum kit, even just a bass drum would have been enough,but the band were pestering me to get a kit,so I went home and persuaded my mam and dad to buy me an OLYMPIC kit on HP ,it was about £70 ,about four pounds a week ,I could tell they were worried about making the payments,but I convinced them that I could contribute by the money I would get by playing gigs at the local youth club.they nervously signed the agreement,they knew how badly I wanted those drums(bless them).We used to carry our equipment to the club in the guitarists dads wheelbarrow, people used to laugh,but we didn't care, we just wanted to play".
"When I left school at the age of fifteen ,I went to work in Palmers shipyard in Hebburn to become an apprentice metalworker ,I was still playing in "The Tyme"but spotted an advert in the local paper for a drummer, I got the job.It was " The Urge" (the singer later became known as John Miles and is now playing with Tina Turner)they were playing seven nights a week , I was earning about £35 a week with the band playing in night clubs, pubs and working mens clubs, and about £3 a week in the shipyard.,I used to come in from a gig at about 3am and have to get up for work at 7am,eventualy I got fired for falling asleep at work and became a pro musician at the age of seventeen.I carried on playing the club scene with various bands(including Billy Fury's backing band) until I was about 21 .I had served my apprenticeship ,but not in the trade which the rest of my school chums had served thiers.
"I had become more influenced by "underground" & "progressive" music,that style didn't go well at all in the clubs,we were getting less and less work ,the band folded and I worked with a freind of mine "Ted the tatie man" Hooper, who paid me a pound a day for humping bags of spuds, I decided this was the time to head down south to find my fortune."
"I bought a copy of the "Melody Maker"the ad said "wonder drummer wanted for avante rock group", I rang the number, and a bloke with a bit of a posh accent (with a slight geordie tinge) answered, it was Bryan Ferry ,he seemed happy to hear my own Jarrow twang, we arranged an audition for a few days later,when that day arrived I was in a state of panic , my drum kit was locked in a studio in Denmark St where I had been doing a session a few days before !, luckily I was staying with "Mathews Southern Comforts"roadie, who lent me thier kit , I made the Audition and landed the job. There were no wages at that time with the band, so I got a job on a building site in Fulham ( me and two hundred Irishmen),to keep the wolf away from the door. (I remember turning up our first John Peel session in my work gear).The band was growing bigger every day,eventualy we signed a deal and were getting a small wage, goodbye cement dust, goodbye Irishmen, hello the road to stardom!." The rest is history.
"In 1980 "Roxy Music" and I parted the ways (musical differences), since then I have played with a lot of people including Gary Moore,Jonathon Perkins and Concrete blonde with whom I had my first U.S. gold album, (something I never achieved with Roxy Music,and some of my proudest work). I have also been exploring my alter ego, I took up sport parachuting for a while, I learned to scuba dive and I recently passed my BSAC instructor exams".